Huddle 15 will be another opportunity for immersive creators to meet and meaningfully connect with each other.
This event is for creators involved in making all forms of live immersive and interactive experiences, ranging from theatre, escape rooms, immersive & experiential art, scare attractions, ARG & Transmedia, location based VR & AR...
Our Huddle events are opportunities for creators of immersive work to come together to network and learn from one another’s experience. They are open to everyone and we usually have a mix of people at different career stages, working across the commercial, academic and subsidised sectors.
The Immersive Experience Network’s purpose is encourage and share knowledge with creators at all stages of their career, from all backgrounds and during whatever life is currently throwing at you.
Thanks to our supporters helping underwrite our Huddles, the concession rate tickets are for anyone for whom the full price might be a barrier for them to participate. If that’s you then just choose the concession ticket at check out and we’ll look forward to seeing you at the Huddle.
Absolutely! Contact us at team@immersiveexperience.network and we’d love to chat it through with you.
“That’s one of the great freedoms of integrating your access is that it’s there from the start. You don’t have to feel like it’s this clinical thing which is going to take away from all the art you’ve put into the work. It can be a part of the art,
“I think our superpower in this sector, regardless of the kind of immersive or interactive work that we make, is effect. And I think our ability to put people in other people’s shoes or perspectives and to generate empathy and to generate transformation, which is at the heart of what
Huddle 5 was our first huddle of 2024. Taking on board the feedback from previous huddles we setup a new informal format with a focus on networking and giving people time and space to meet new collaborators and partners. We also introduced a new ‘Ask the Community’ section – where
“When people who come from a theatre background come into it, the one thing they find really difficult is that there’s no script and certainly from the lighting and sound point of view, they keep kind of going ‘how are you meant to design if you haven’t got a script?’”
