Zach Morris is Co-Artistic Director of Third Rail Projects, a New York–based performance company internationally recognized for creating works that place the audience at the very heart of the storytelling. For over two decades we have been hailed as one of the foremost companies in...
Our Huddle events are opportunities for creators of immersive work to come together to network and learn from one another’s experience. They are open to everyone and we usually have a mix of people at different career stages, working across the commercial, academic and subsidised sectors.
The Immersive Experience Network’s purpose is encourage and share knowledge with creators at all stages of their career, from all backgrounds and during whatever life is currently throwing at you.
Thanks to our supporters helping underwrite our Huddles, the concession rate tickets are for anyone for whom the full price might be a barrier for them to participate. If that’s you then just choose the concession ticket at check out and we’ll look forward to seeing you at the Huddle.
Absolutely! Contact us at team@immersiveexperience.network and we’d love to chat it through with you.
“Emotion can be the feeling of being lost in something. You know, being entirely in a bubble, in elsewhere, in another time, another space and everything co-operates to create this idea in your participant. So it’s about believing, it’s about not bursting the bubble, while interaction is the mutual action
“We create work with the people of a place to make sure those experiences are unique. We rarely come with an idea. We come to a place, meet its people, and then we co-create the work together. Co-creation is really at the heart of everything we do.” In this talk
“We’ve all had our own experiences here in this room about being in a room, going to an immersive experience, hearing a powerful piece of music and having that change how you feel and ultimately we look at what happens in your brain and your body when you’re going through
“The immersive experiences that we attend, they need to resonate with our sense of meaning. I got into theatre, arts, culture, whatever you want to call it, because I wanted to make people feel something. I wanted to help enable the rare but, sometimes amazing, moments where you get the
