Huddle 15 will be another opportunity for immersive creators to meet and meaningfully connect with each other.
This event is for creators involved in making all forms of live immersive and interactive experiences, ranging from theatre, escape rooms, immersive & experiential art, scare attractions, ARG & Transmedia, location based VR & AR...
Our Huddle events are opportunities for creators of immersive work to come together to network and learn from one another’s experience. They are open to everyone and we usually have a mix of people at different career stages, working across the commercial, academic and subsidised sectors.
The Immersive Experience Network’s purpose is encourage and share knowledge with creators at all stages of their career, from all backgrounds and during whatever life is currently throwing at you.
Thanks to our supporters helping underwrite our Huddles, the concession rate tickets are for anyone for whom the full price might be a barrier for them to participate. If that’s you then just choose the concession ticket at check out and we’ll look forward to seeing you at the Huddle.
Absolutely! Contact us at team@immersiveexperience.network and we’d love to chat it through with you.
“When people who come from a theatre background come into it, the one thing they find really difficult is that there’s no script and certainly from the lighting and sound point of view, they keep kind of going ‘how are you meant to design if you haven’t got a script?’”
On Monday 24th April, nearly 100 creators, producers, performers and makers joined us at Alcotraz, Hackney, for an evening of workshop activities and networking. Attendees were convicted of crimes against Immersive, kitted out in orange jumpsuits, and sent to their cells, to meet new peers and share ideas for projects
We’re so grateful for everyone who came to Huddle 4 – Live Immersive Design Symposium on 9th October at Rich Mix. We had an amazing turn out and hosted some fantastic talks and discussions by some incredibly talented people. We’re working on editing the media content to publish over the
“That’s one of the great freedoms of integrating your access is that it’s there from the start. You don’t have to feel like it’s this clinical thing which is going to take away from all the art you’ve put into the work. It can be a part of the art,
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