Articles, news, & research

Making Immersive Experiences Work for Working Class Audiences

Eleanor Barrett has transformed some of the most stigmatised urban spaces into portals to alternate realities, from the Thamesmead estate to a Helsinki square associated with drug-related social problems.  Her former company The Brick Box specialised in creating immersive, participatory events that consistently reached the audiences other cultural projects struggle to engage: people from low-income households, ethnically diverse communities, and…

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Don’t just rewatch your favourite film – get inside it

The summer of 2025 heralds the birth of a new kind of immersive event, and it’s one that offers us unprecedented opportunities to step inside our favourite films. Last month, The Matrix premiered at COSM in Los Angeles in an entirely new format. COSM is a kind of big screen

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The Theatre Reimagined – Introducing AR to the Stage: Glitch Studios

Sami Hamid from Glitch Studios pulls back the curtain and reveals how wearable XR headsets can be implemented into live staged theatre performances, bringing virtual characters and set pieces to life alongside real actors. This talk touches upon the technical implementation of AR, how it works with your AV setup,

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Photo of presentation at Immersive Experience Network Summit 24

DaDaFest Panel: Creative accessibility within immersive practice

Joe Strickland (Digital Producer, DaDaFest), Laura Wilkinson (Producer, Ben Fredericks [Collaborations]), Thomas Florence (Artistic Director, But Why? Theatre) and Ben Fredericks (Writer and Director, Ben Fredericks [Collaborations]) discuss how the immersive sector can avoid disabling those audiences in the all too familiar ways they have been disabled by other forms

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Four panellists discuss accessibility at the IEN Summit in October 2024

CULTVR Lab: Shared Reality and Live Performance

CULTVR Lab has emerged as Europe’s first immersive cross-disciplinary space, focusing on digital arts, XR live performance, and fulldome cinema with Matt Wright (Artistic Director) and Janire Najera (Managing Director) at the helm. This session explores the complexities of producing and touring Shared Reality content that blends virtual and physical

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Two speakers discuss an immersive experience at the IEN Summit in October 2024.

Tassos Stevens and Matthew Hawn: Romancing the Book, the story of “Evergreen”

Join Coney’s Tassos Stevens (director) and Matthew Hawn (commissioner), as they discuss “Evergreen,” a sprawling three-month adventure inspired by Matthew’s wife Molly’s love of children’s literature and the couple’s 20th wedding anniversary. After captivating 40,000 people with “The Golden Key” in Autumn 2023, legendary theatre company Coney embarked on a

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Panellists discuss an immersive experience at the IEN Summit

Creating Peaky Blinders: The Rise

“Immersive theatre is a playground for audiences and characters to connect” – this is the philosophy behind Rebecca Brower and Tom Maller, the creative minds of “Peaky Blinders: The Rise.” They take us from the conception to the execution of staging, design, and interactive storytelling, which immerses the audience in

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Tom Maller presenting at the Live Immersive Design Symposium in October 2023

Creating Gunpowder Plot: The Immersive Experience

“This is like stepping into a movie where you are at the centre of the plot. We recreated London in 1605. You learn spy tricks, you learn code, you run through corridors…and you affect the outcome of that story. So it really is you at the centre of the Gunpowder

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Hannah Price presenting at the Live Immersive Design Symposium in October 2023

Immersive and Interactive Theatre

What is immersive and interactive theatre? Immersive and interactive theatre is a kind of theatrical performance where the traditional physical, psychological or narrative boundaries between performers and audience members are blurred or entirely dissolved.  In this type of theatre, audience members are not passive observers but active participants in the

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Immersive Interactive Theatre Title Slide
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