Articles, news, & research

Making Immersive Experiences Work for Working Class Audiences

Eleanor Barrett has transformed some of the most stigmatised urban spaces into portals to alternate realities, from the Thamesmead estate to a Helsinki square associated with drug-related social problems.  Her former company The Brick Box specialised in creating immersive, participatory events that consistently reached the audiences other cultural projects struggle to engage: people from low-income households, ethnically diverse communities, and…

Read more

What are you looking for?

Popular search tags:

20 Years of DIY immersive at Beat-Herder Festival

“You don’t find the swimming pool, the swimming pool finds you,” says Nick Chambers, co-founder of Beat-Herder Festival. “It’s like a trapdoor spider – an arm will grab you at some point on the street and be like ‘you’re coming swimming, bring your friends’.” So, rumours of a swimming pool

Read more

Don’t just rewatch your favourite film – get inside it

The summer of 2025 heralds the birth of a new kind of immersive event, and it’s one that offers us unprecedented opportunities to step inside our favourite films. Last month, The Matrix premiered at COSM in Los Angeles in an entirely new format. COSM is a kind of big screen

Read more

What Immersive makers talked about at The Big Thing 2025

Immersive Arts is a three-year national programme of funding and support for creative practitioners which launched in 2024. The organisation held its first conference earlier this month, and chose Bradford – the 2025 UK City of Culture – for the occasion. Over three days and seven venues, delegates listened to talks,

Read more
An audience sits and listens to a talk at a conference

Wake the Tiger: How unconventional design journeys can create magic

“You don’t need to wait for the perfect situation to take on that new project. While your design journey may be unconventional, if you remain adaptable, attentive, and willing to adjust along the way, you might discover something far more extraordinary than you ever envisioned.” Soph Shaw from Wake The

Read more
Soph Shaw presenting at the Live Immersive Design Symposium in October 2023

Spotlight On: Experiential Art

THE DEFINITION Five years ago, everything was curated: playlists, menus, holiday packages. Today, everything is immersive: shops, gyms, cafes. The adjective has well and truly entered the kingdom of buzzwords and is brandished at every corner as an oft-disappointing promise that any interaction with culture will stimulate all your senses

Read more

Navigating Immersion: A Critical Exploration

Reconsidering “Immersive” I really struggle with the term “immersive,” or maybe I don’t struggle but am really critical of how it is being used, as so many people have different definitions for it. It has become a keyword, a buzzword used to sell tickets, rather than a concept explored within

Read more
A group of audience and performers read text of different languages on a large projection screen. Ambient Image

Spotlight On: Scare Entertainment

Have you ever felt so terrified, yet exhilarated? This is the primary aim of scare entertainment. This form of entertainment has been existing since 1915 when travelling showman Patrick Collins constructed what is believed to be the world’s first Haunted House named the Haunted Cottage for his wife, Flora. This

Read more
A cloaked figure of death reaches out for the viewer. Ambient Image.

Spotlight On: Attractions

The entertainment world is full of experiences that can be called “immersive” – video games, movies, books – and most of these can now be experienced in the comfort of our own home. Yet physical immersive experiences – immersive theatre, theme parks, escape rooms – are more popular than ever

Read more
Ambiant Image of an attraction

Performing 101: Getting Started in Immersive Theatre

Immersive theatre can be a mysterious scene to enter! But if you’re interested in getting involved, I can offer you some veteran’s advice to get you going. I’ve worked in immersive for about 8 years now, and done everything from large scale shows like Secret Cinema to corporate walkabout gigs

Read more
Image of Performers and Audiences Dancing, Ambient Image

Spotlight On: Immersive Technology

Riptide create immersive, interactive and digital experiences across many forms. Audiences are swept through the narratives, spaces and cities in which our performances occur.  Since 2014, Riptide have been making work which places the audience at the heart of the experience, combining innovative storytelling with digital technologies. These experiences may

Read more
Ambiant Image

Spotlight On: Alternate Reality Games

Alternate reality games (ARGs) are the closest that creatives can get to acting in live performances without physically getting on a stage. ARGs span a surprisingly wide range of experiences, from months-long massively multiplayer games taking place across dozens of websites like The Beast to smaller experiences occurring on TikTok

Read more
Ambient Image

Access 101: Making Work For and With LDA People

Access All Areas have been making immersive performances with learning disabled and autistic (LDA) performers from our home in East London and nationally since 2013. Access All Areas are a company of 22 associate artists (LDA artists) who have all undergone a 2-year Performance Making diploma programme at the Royal

Read more
An artist looking through two coloured lenses as part of Access All Areas show "I Queue Hear" Ambient Image
Want to know more?
Sign up to our mailing list to be the first to hear about our events and publications
Join the Mailing List